Showing posts with label getting published. Show all posts
Showing posts with label getting published. Show all posts

Wednesday, January 23, 2008

Can a generalist survive today’s writing market?

Publishing has increasingly become a forum for experts. If you are a weight-loss guru, a financial expert or a spiritual sage and, more importantly, if you have succeeded in making money off your area of expertise, you automatically have an edge in pitching an article or even a book. And this phenomenon isn’t confined to nonfiction—look at Patricia Cornwall who, after working as technical writer and analyst in a medical examiner’s office, parlayed that experience into best-selling crime novels. But there are writers like me who for whatever reason decline to focus on a specialty area.

Part of the reason may lie in necessity. When I first began to freelance, it was necessary to take just about any project that came my way. As my options expanded, I decided I was basically interested in just about everything. Along the way, poetry became a sort of specialty—the study of it, the history of it and the writing of it. But most outlets for poetry are either small lit magazines that don’t pay or magazines like Poets & Writers who either have a steady stable of writers or rely on MFA types for content.

I’ve often thought expertise can be sort of dangerous, at least for the reader. If a writer relies on a single expert for content, you will see only one perspective on a subject. This has become commonplace in media—toss in a quote by a high-profile authority and prove a point. But experts often disagree among themselves, and I think we’d be better off if varying, even conflicting, perspectives are included, especially in informational pieces.

I’ve survived as a generalist, and I don’t foresee changing my tactics anytime soon. I’m having an amazing, diversified journey through the lives of others, shaping their stories into content for readers.

And frankly, there aren’t a whole lot of experts I trust these days anyway.

Friday, December 14, 2007

Exploiting the news for pay

A writer’s best friend is the news. Whether you’re a journalist, poet or novelist, you can always find something to inspire you. You then simply translate your epiphany to a published work.

Many of my poems have been written as a result of something that happened, something that inspired me to speak. I recall seeing the story of a river that flooded a community. Ironically, this was the second time the river did this. I found myself wondering why these people would rebuild without resolving the issue in the first place. I wrote the poem, “Monologue by a River,” and it was published by an educational publisher then included in my collection A Poetry Break. I guess because the poem is a sonnet, people latch onto it.

I just finished an article for a new client I provide content to, Beyond Madison Avenue. This is a really fun account for me; blogging for a client is definitely a plus since I seem addicted to this form. I’d seen a PBS clip about Dr. Ron Paul’s remarkable fundraising via the Internet. I found it fascinating that a candidate could raise the kind of money he did without his official organizers doing a thing to orchestrate it. To read the story, visit Beyond Madison Avenue.

After Ken Burns’ movie The War aired, he came to the University of North Florida to do a lecture. I cover news here in Jax, so I went to the lecture and then arranged a followup interview. Burns and his script writer Geoffrey C. Ward will be the cover feature for The Writer in March, 2008. Chuck Leddy did the article about Ward; I wrote about Burns.

I learned about an Orlando mom who got sued for writing a blog. That spurred me to look into liability issues for writers, a topic I believe will increase in importance because, let’s face it, everybody wants to write these days. With lots of help from fellow members in the American Society of Journalists and Authors, I interviewed a leading intellectual property rights attorney. I cover the topics of liability and copyright issues in my column Web Savvy at the online site for The Writer—part I published yesterday and part II will go live around the end of the year.

I admit I’m an avid (even rabid) consumer of news. I’ll read anything if it’s topical. It brings me pleasure to know what’s happening in the world. And it also helps me to publish freelance work. Win-Win.


Poets who read Creative Writer US may want to read the interview I did with Donald Hall in the December issue of The Writer. And watch for a story I did about Hanukkah for The Florida Times Union.

Monday, September 10, 2007

Author Cheryl Snell hits home run with manuscripts—twice

Visit links noted below to learn more about Snell's work.


Most authors are glad to get a contract for one book. Cheryl Snell can celebrate getting two, and one of those contracts is a double deal, so technically, she hit three home runs.

Snell says it was hard to find a publisher for her novel ‘Shiva’s Arms.’ In an email interview, she wrote, “It took awhile. The first publisher I sent the manuscript to accepted it, but wanted me to cover half the cost of publication. It was a reputable company, as it turns out, but I thought co-publishing was the same as working with a vanity press, so I passed. The next company went belly-up before the book could even be edited. The third time was the charm however (cliché or not), and Writer’s Lair Books offered me a two book deal.” The novel wasn’t her only charm. Pudding House Publications, a well-regarded publisher of poetry chapbooks, picked up Snell’s manuscript, ‘Samsara.’

Right now, Snell is planning author events, hoping to reach out to readers in different ways.


“An online campaign is one way to cast a wider net,” she says, offering other authors a tip for a good resource. “Felicia Sullivan, the editor of Small Spiral Notebook, has a good online marketing how-to at her site. She has a suggestion or two about using video. I noticed that Out of the Book Films recently sent a thirty minute video of Ian McEwan’s book around to bookstores, and caused a bit of a stir. An authorless author event could supplement the traditional readings nicely, I think. And, of course, I like the idea of a blog book tour.”

Asked what inspired her novel, Snell points to geography. “It began as an effort to record my husband’s stories about growing up in Bombay. Pardon me, Mumbai. We’d been talking about the nature of nostalgia—I swear! But as soon as I put pen to paper, my characters began to run amok, to take on a separate reality. I was dragged along in their service. Didn’t Flannery O’Connor remind us that the novel is an art form, and when you use it for anything other than art, you pervert it? The novel’s set-up—American girl marries into a traditional Brahmin family—is drawn from my life, but I am not Alice, although I know her very well.”

Her successes will bring demands aplenty, but Snell doesn’t foresee obstacles to her writing. “I’m pretty rhythmical in my work habits. I always say that if inspiration wants to find me, I’ll be at my desk from 9 a.m. to noon. Well, O’Connor might have said it first.”


Learn more about Cheryl Snell’s books and her work at these sites:

http://www.shivasarms.blogspot.com
Blog for Snell’s novel, ‘Shiva’s Arms.’

http://www.writerslairbooks.com/snell.html
Publisher site, Writer’s Lair Books, for Snell’s novel, ‘Shiva’s Arms.’

http://www.puddinghouse.com
Publisher site, Pudding House Publications, for Snell’s poetry collection, ‘Samsara.’

http://www.alsopreview.com
Literary site for Alsop Review, where Snell is book reviews editor.



Please visit Covering Florida for our essay about Patriot Day, in honor of those who died at the World Trade Center September 11, 2001.